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Nolan Pop Culture Review, 2003!
This week's
NEW COLUMNS:
Movie Review
Digital Divide
Matt's Rail
Mike's Rant


FINAL EDITION
On the CF Homepage:
Florida Filmmaker Update
New Schlockarama! --
"Attack of the Giant Leeches"

  Number 157  (Vol. 4, No. 13). This edition is for the week of March 24--30, 2003.
2003 Academy Awards
OK, well, here we are again. As Mike Smith stated eloquently last week, the Nolan's Newsstand newsletter of 3 years ago that eventually became Nolan's Pop Culture Review (aka, the PCR) of today, basically started with a nod towards the Oscars, especially Mike's column, which kicked off the Letters and Commentary section. We all picked our favorites and, after that year's show, compared the results and added commentary.

Not much has changed in this regard over the years except dwindling participation from yours truly, which is most regrettable. My situation has changed drastically over the last two year's time and I don't have the accessiblility, transportation, or resources to see all the new movies all the time anymore. (I'm lucky to catch them on video.) I always make arrangements for the blockbusters, of course, but then again, with some notable exceptions, they are not routinely nominated for Oscars.

Matt Drinnenberg sent his his predictions very late over the weekend and I'm not sure how many of you saw them (to see what he picked and commented on, please review last week's Matt's Rail.) Thankfully, Matt can still catch a flick or two at his bijou up north. To me, if I can't personally see the movies, then I'm just aping the predictions of others which is essentially meaningless. Therefore, for the first time ever, I am recusing myself from voting at all. My esteemed colleagus are way more qualified than I am this year to make these choices.

So, here we go. Following are the winners of the 2003 Academy Awards (broadcast March 23, 2003), and how Mike and Matt scored. There are some pretty big surprises:
Nominations 2003 Winners OUR PICKS

BEST PICTURE:
CHICAGO
GANGS OF NEW YORK
THE HOURS
THE LORD OF THE RINGS: THE TWO TOWERS
THE PIANIST

CHICAGO Mike: Chicago
Matt: Chicago

Best Director:
Rob Marshall for CHICAGO
Martin Scorsese for GANGS OF NEW YORK
Stephen Daldrey for THE HOURS
Roman Polanski for THE PIANIST
Pedro Almodóvar for TALK TO HER

Roman Polanski for THE PIANIST Mike: Martin Scorsese for Gangs of New York
Matt: Martin Scorsese for Gangs of New York

Best Leading Actor:
ADREIN BRODY in THE PIANIST
NICHOLAS CAGE in ADAPTATION
MICHAEL CAINE in THE QUIET AMERICAN
DANIEL DAY-LEWIS in GANGS OF NEW YORK
JACK NICHOLSON in ABOUT SCHMIDT

ADREIN BRODY in THE PIANIST Mike: Daniel Day-Lewis in GANGS OF NEW YORK
Matt: Michael Caine in THE QUIET

Best Leading Actress:
SALMA HAYEK
in FRIDA
NICOLE KIDMAN in THE HOURS
DIANE LANE in UNFAITHFUL
JULIANNE MOORE in FAR FROM HEAVEN
RENEE ZELLWEGER in CHICAGO

NICOLE KIDMAN  in THE HOURS Mike: Renee Zellweger in CHICAGO
Matt: Nicole Kidman in THE HOURS

Best Supporting Actor:
CHRIS COOPER in ADAPTATION
ED HARRIS in THE HOURS
PAUL NEWMAN in FAR FROM HEAVEN
JOHN C. REILLY in CHICAGO
CHRISTOPHER WALLEN in CATCH ME IF YOU CAN

CHRIS COOPER in ADAPTATION Mike: Chris Cooper in ADAPTATION
Matt: Paul Newman in FAR FROM HEAVEN

Best Supporting Actress:
KATHY BATES in ABOUT SCHMIDT
JULIANNE MOORE in THE HOURS
QUEEN LATIFAH in CHICAGO
MERYL STREEP in ADAPTATION
CATHERINE ZETA-JONES in CHICAGO

CATHERINE ZETA-JONES in CHICAGO Mike: Catherine Zeta-Jones in CHICAGO
Matt: Catherine Zeta-Jones in CHICAGO

FOREIGN LANGUAGE FILM
EL CRIMEN DEL PADRE AMARO
HERO
THE MAN WITHOUT A PAST
NOWHERE IN AFRICA
ZUS & ZO

NOWHERE IN AFRICAMike: ZUS & ZO
Matt: NOWHERE IN AFRICA

COSTUME DESIGN
CHICAGO
FRIDA
GANGS OF NEW YORK
THE HOURS
THE PIANIST

CHICAGOMike: GANGS OF NEW YORK
Matt: GANGS OF NEW YORK

MUSIC (ORIGINAL SONG)
CHICAGO
8 MILE
FRIDA
GANGS OF NEW YORK
THE WILD THORNBERRY'S MOVIE

"Lose Yourself" from "8  MILE," Eminem, Jeff Bass and Luis Resto. Mike: "Lose Yourself" from 8 MILE
Matt: "I Move On" from CHICAGO

And the OTHER WINNERS

Adapted Screenplay: "The Pianist," Ronald Harwood.    Mike: "The Hours" -- David Hare  Matt: "The Hours" -- David Hare

Animated Feature: "Spirited Away."    Mike: "Ice Age"  Matt: "Ice Age"

Animated Short Film: "The ChubbChubbs!"    Mike: "The ChubbChubbs!"  Matt: "Mike's New Car" (in honor of Bruce, the car)

Art Direction: "Chicago."    Mike: "Frida"  Matt: "Chicago"

Cinematography: "Road to Perdition."    Mike: "Road To Perdition" --Conrad L. Hall  Matt: Road to Perdition -- Conrad L. Hall

Documentary Feature: "Bowling for Columbine." (Michael Moore)    Mike: "Bowling For Columbine"  Matt: "Bowling For Columbine"

Documentary (short subject): "Twin Towers."    Mike: (no vote)  Matt: (no vote)

Film Editing: "Chicago."    Mike: "Chicago"  Matt: "Gangs of New York"

Live Action Short Film: "This Charming Man (Der Er En Yndig Mand)."    Mike: (no vote)  Matt: (no vote)

Makeup: "Frida."    Mike: "Frida"  Matt: "The Time Machine"

Original Score: "Frida."    Mike: "Catch Me If You Can"  Matt: "Road To Perdition"

Original Screenplay: "Talk to Her," Pedro Almodovar.    Mike: "My Big Fat Greek Wedding" Nia Vardalos  Matt: "Gangs of New York"

Sound: "Chicago."    Mike: "Chicago"  Matt: "Chicago"

Sound Editing: "The Lord of the Rings: The Two Towers."    Mike: "Lord of The Rings: The Two Towers"  Matt: "Minority Report"

Visual Effects: "The Lord of the Rings: The Two Towers."    Mike: "Star Wars: Episode Two--Attack of The Clones"  Matt: "Lord of The Rings: The Two Towers"

THE RESULTS: An earlier edition of PCR erroneously indicated Mike did not enter a vote for Best Original Score, but he did (my aging eyesight -- N). However, the vote was not a winner so that doesn't change the final score. The only two categories not voted upon, Documentary Short Subject and Live Action Short Film, will be ignored for this excercise. That leaves 22 out of 24 categories voted on by both gentlemen. FINAL SCORE: Mike -- 11, Matt -- 9. But look at that! Even though Mike takes the crown again, it ain't by much and check this: just half of his final list agreed with the actual winners, which I don't think has never happened before! The biggest upset in our short PCR history.
Thanks to Matt Drinnenberg and Mike Smith for taking part in our annual Oscar Picks Challenge. Maybe next year, I will have seen enough movies to be able to vote!

President Bush visits MacDill Air Force Base, Tampa, FL
As I write these words, and I mean at this actual moment (Wednesday, 26th, 10:45am), President George W. Bush is speaking on television at our own MacDill Air Force Base in Tampa, Florida, barely 2 and a half miles from my front door. Weird. Altho "Central Eastern Command" has allegedly been moved to the Saudi deserts from Tampa, there is apparently enough still here to warrant a personal visit from the Dubya-meister. Seated behind him in the audience is his brother, our Governor, Jeb Bush. I'm afraid I'm not hip enough on political matters to know exactly what The Prez is doing here, but it's pretty exciting (or disturbing) having the two Bush brothers this close together this close to home. Dubya's speech is pretty much what you'd expect. Progress in the war on Iraq.
I hope he stops by 7-Eleven for a Slurpee, you know, sort of a Joe-6-pack, photo-op kind of thing. I'd love to get some snaps with him to show the kids.

La Floridiana tidbits....    by William Moriaty

TROPICS, WHITE WITCH FOUNDER BUDDY PENDERGRASS DEAD AT 55
Tampa rock icon Buddy Pendergrass, who founded the 60's group The Tropics, and the early 70's group White Witch died on Sunday March 16, 2003 at the age of 55. The cause of death has not yet been released.

MIAMI: RENOVATIONS DISTRESSING
Famed Miami strip club "Club Pink Pussycat" is slated for potential purchase and subsequent demolition as a result of the Miami-Dade Expressway Authority (MDX) purchasing the building located at 3890 N.W. 36th Street not far from Miami International Airport and Miami Jai-Alai.

The bright pink club with neon lights has hosted celebrities, athletes and even a group of owners from a New York organized crime family according to press reports.

MDX wants the land and surrounding area for its planned $245 million dollar Interconnector Expressway expansion project envisioned as a way of linking the Dolphin Expressway (S.R. 836) to the Airport Expressway (SR 121).

In the same manner that the Miami Intermodal Center has destroyed much of the circa 40s through 60s buildings and hotels east of LeJuene Street next to Miami International Airport, the proposed Interconnector poses a threat to the remaining buildings of that era further east. Hopefully the Miami Jai-Alai fronton will not be one of the victim's of this proposed roadway.

If the authority buys the land that the club is on, the state agency will be willing to lease the building back to the club's owner, William Seidle, until the construction begins. Construction is scheduled in 2007 with completion slated for 2012.

Although the expansion of Miami International Airport has been necessary, it is tragic to see so many historic icons having been destroyed and proposed to be destroyed for this growth. Almost 3/4ths of the northern perimeter of the airport had hangers and buildings dating back to the 30's and 40's demolished to make way for a third Runway 9/27. Then all the circa 40's through 60's hotels, restaurants and buildings along LeJeune were removed to make way for the associated Miami Intermodal Center, and now the latest about the proposed removal of the "Club Pink Pussycat" and possibly the Miami Jai-alai fronton.

I admire Miami for looking toward the future, but admonish it for neglecting its past. --- William Moriaty





La Floridiana
This week's issue
La Floridiana by William Moriaty
Readers: hinted at two months ago but never begun till now, please note that for the next few weeks(?), La Floridiana is ON HIATUS! But not to fear---William will return after an intense journey into SCHLOCKARAMA! Look for his current exploits there. Meanwhile, check out what he says about "Ghost of the Robot", via The Digital Divide. --Nolan

Matt's Rail
This week's issue
Matt's Rail by Matt Drinnenberg
THE OSCARS........On the predictions, results, and speeches.....
WAR COSTS OVER 75 BILLION.....and what else it could've bought... .................Click here for more.

Movie Reviewmovie review
This Week's Movie Review:

A View From The Top  review by Michael Smith

The Digital Divide
This week's issue
The Digital Divide by William Moriaty
Ghost of the Robot: Mad Brilliant.  Regular columnist Terence Nuzum temporarily relinquishes the reigns of command this week for this special feature by William Moriaty. --N

Mike's RantMike's Rant
This week's issue

A REPLY TO STEVE BEASLEY ........ OSCAR SURPRISES ........ CONGRATULATIONS ALSO ........ PLAY BALL! ......... .................Click here for more.


Letters to the EditorWe welcome your feedback.
Nolan,
Why must we have reporters assigned to every military unit on the front lines during a war? I realize people feel they have a right to ALL THE INFORMATION....but when we televise it....the enemy knows too! Besides, the troops would receive a lot more support from back home if the cameras didn't reveal everything. I personally believe that the reason that the largest and most technologically advanced military in the world has difficulty winning a war with even a puny nation is because the people at home see live images every single day and a lot of it makes them cringe.....so then, when the viewer sees one of our soldiers or one of the enemies soldiers wounded or dead they bitch about the inhumanity of war. We have too may people watching the 24 hour coverage and grading our troops on every little situation. During a battle, situations change so often that it's best to just wait till the smoke clears to determine casualties on both sides. We, as civilians should only be informed sporadically (perhaps even as little as weekly) in this digital age. When the broadcasters continually show wounded Iraqi civilians, Americans want to stop the war. We should keep journalists well behind the front lines. A DMZ (demilitarized zone) is no place for civilians, period. Remember this people.....war ain't pretty and it never will be.

On another note.....
I have been a huge fan of Michael Moore's work since the film, "Roger & Me", based on Moore's attempt to speak to Roger Smith, CEO of General Motors and ask why he turned Moore's hometown of Flint, Michigan into a ghost town by pulling up stakes and moving to another location. I immensely enjoyed TV Nation, Moore's lambasting of corporate America....and Nolan knows how much I despise corporations.
Having said all that, there has been recent news that Michael Moore has put a major spin on his latest film, "Bowling for Columbine", which won an Academy Award (Oscar) in the best documentary category. According to the official Academy Award rule book, a documentary MUST be factual...to be called a documentary. Well then, tell me how Mr. Moore won an Oscar for Best Documentary when he actually made a non-documentary/twisted fantasy. I've been hearing about this on local NZ radio. http://www.spinsanity.org/columns/20021119.html

Steve [Beasley]

It has always been my opinion that television helped bring an end to our involvment in the Viet Nam war by briging it home to viewers. It's too hard to say if the turnout of WW II would've been altered by television, it was a different kind of generation.
As far as Michael Moore, did you check out his acceptance speech at the Oscars? He was booed off stage because of repeatedly saying "you should be ashamed Mr. President". I don't think awards shows are the place to grandstand politics, but I understand the temptation: the eyes of the world are upon you. That said, I too am a big fan of Moore, his reinvigoration of the documentary format--simulated or not for "Columbine"--is most welcome. ---Nolan



To send an email to Letters to the Editor write to: Crazedfanboy1@aol.com.  Any emails sent to this address will be assumed intended for publication unless you specifically instruct me not to. I can and do respond privately, if that is your preference. Frequently, it's both ways.---Nolan


"Mike's Rant" is ©2003 by Michael A. Smith    "Matt's Rail" is ©2003 by Matt Drinnenberg    This issue's "The Digital Divide" is ©2003 by William Moriaty    This week's movie review of "A View From The Top" is ©2003 by Michael A. Smith    Add'l thanks to Steve Beasley for his input in "Letters"      All contents of Nolan's Pop Culture Review are ©2003 by Nolan B. Canova

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