![]()
![]() Established A.D. 2000, March 19. Now in our seventh calendar year! ![]()
After considerable fretting about possible trouble finding parking, Gus Perez and I arrived at the Cuban Club around 12:30pm to find no one on the street and nary a hint of activity anywhere. Shocked at our good fortune (but wary that we'd somhow mixed up times or dates), we pulled easily into a space on the street. On Sundays the meters aren't running.
Coincidentally, horror show honcho and chief promoter, Rick Danford, was just coming out of the building at that point and greeted us. He reaffirmed our guest list appearance and bade us inward. Thank you, Richard.
Immediately, I was struck by the grand opulence of the old club (much like I was for the shooting of the Guzzo Bros' movie I covered some issues back) and how much of an improvement it was to hold the HHPS here over the last two years' residence at the student halls of the University of South Florida, which was, to say the least, out of the way for everybody.
Proceeding over to the main dealers/guest area, Gus and I met horror author and budding movie scripter Andrea Dean Van Scoyoc decked out in her goth best with a panoply of books and promotional material at hand (in particular, Michael, her latest novel). Her gothness stood in stark contrast to the bright window and streaming daylight directly behind her. After learning of her impending movie deal (A Man of Two Worlds), Gus became extremely interested in...er...participating...so stuck pretty close to Andrea the rest of the day (when we weren't in the theater).
Rick Danford's own table was next, sporting his stack of The Nightmare Collection DVDs, most or all of them have played at past HHPS or Saints & Sinners events, and a recommended collectible for any horror fan.
Tiffany is such a cutie-patootie, amazingly full of energy and was all over that dealers area, despite earlier (and consequently unfounded) rumors of a no-show.
In fact, at this point, the other major celebrity expected, P. J. Soles (Halloween, Rock and Roll High School), had not arrived yet, but we were told she'd be coming in around 4:00pm from ScreamFest in Orlando. No sign of Krista Grotte (Filthy) yet either, presumably detained at the same event.
Last to be met, but not least, was a very interesting character named Victoria Richards, an intersexed goth (and not a transvestite as I earlier reported), who informed me of a desire to move from adult pictures into horror to be more "mainstream". Victoria commented on a conflict with ScreamFest about appearing at two shows at once, which, they said they didn't allow. Obviously there's some communication breakdown there as many of the HHPS guest list were coming directly from ScreamFest! I could've sworn I'd gotten a picture of Victoria, but could find none, for which I apologize, so the best I can do is direct you to her MySpace page: www.myspace.com/toriraven
Gus and I went into the theater (which is quite beautiful, kind of like Tampa Theater-lite) to witness the first movie, Undying Love, which, I learned later, turned out to be Greg Lamberson's (Slime City) first film from 20 years ago. Shot on 16mm, it was positively dreadful, but I give it points for being shot on film with obviously high ambitions, just not much in the way of story or acting. And this story had been done to death even then (reluctant vampires, bossy vampires, double-crossed allegiances in the dark society, etc. etc.), but it was his first, and I learned later, played on the midnight-movie circuit in NY as a shlockfest kind of thing. Sure, that could work. I met Greg outside later and conveyed my feelings, but he was ...er...not in the mood to hear it, haha. (Greg was also at least year's HHPS.)
I called Nightmare Man "the boogie-man crossed with the-stranger-in-the-woods meets Evil Dead". And that's just what I told the gang from Pinellas' Public Access TV's "Scream @The Wall" who interviewed me about the movie and about the festival as I came out of the theater. Always great to see those guys!
Some other films playing the fest, On Edge, Broken, and The Bargain were previewed at this month's Tampa Film Review. Please refer to my reviews on that page for more details.
Just before we left, I met and spoke with the Cuban Club director Michael Gonzalez. A fascinating gentlemen who really cares about the facility, I remarked how he's really put the club on the map with all the movie shoots, and now, the HHPS. He is most gracious to any and all parties interested in he club and, not surprisingly, knows a lot about its history, including (he winks to me) the ghosts that haunt it! (Yippee!) Michael showed me an old group shot of people standing in front of the Club from the turn of the 20th century. In two places where it looks at first glance like there are two people, there are, in fact, none, just shapes. Mike then relayed to me his personal encounter with an apparition in the main theater, a large head-like shape floating above a misty body. There was no communication, but Mike felt the apparition had some past connection to The Cuban Club, perhaps in a tragic way.
And this is just the tip of the iceberg. The walls here have many more stories to tell.
Near 5:00pm, the crowd in the lobby and in the theater had swelled considerably (in excess of 100-150 at any one time, much better than last year's). Peter and Paul Guzzo (currently promoting The End is Blossoming filmed at The Cuban Club) arrived and quickly made their way into the theater, we only had a chance to exchange brief but cordial greetings.
At 5:00pm, no P. J. and no Krista Grotte, so Gus and I headed out. (As of this writing, I still don't know if either of them finally made it in and by what time.)
Compared to the last two year's HHPS events, I'd dare say this was a bonfide hit. The better location, easier access and ambient building contributed to this. I'd wager Mr. Danford has already put his deposit down for HHPS 2007!
All contents of Nolan's Pop Culture Review are ©2006 by Nolan B. Canova.
|